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Herman Chin Loy, Clive Chin and Augustus Pablo's Far East sound
New producers enter the arena
Chapter 3 . Early reggae
(pagg. 107-108)
From the book: "Reggae. The Rough Guide" [Steve Barrow & Peter Dalton]
Harry Johnson was just one of many new producers establishing individual styles and making their presence felt locally and among Jamaican communities abroad. Herman Chin Loy, a cousin of Leslie Kong, was specializing in quirky, innovative instrumentals on his Aquarius and Scorpio imprints, including "Reggae In the Fields", "Invasion" and Inner Space".

Several of these left-field productions, usually involving the Hippy Boys session band, were released in the UK on Junior Lincoln's pro-gressive Ackee label, but not the record that was the most important of all, judged from any his-torical perspective. This was "Iggy Iggy", the 1969 debut of one Horace Swaby, who took on the house name that the producer used for many of his discs featuring a keyboards player Augustus Pablo.

The young Mr Swaby's follow-up was another instrumental, and it was to gain a far greater reputation than its initial sales suggested the first cut of "East Of the River Nile".
It was a masterpiece of understatement, with Pablo alternating rudimentary but spooky solos on melodica and organ over a jagged rhythm remi-niscent of the Temptations "Papa Was A Rolling Stone". The first example of what would soon come to be known as Pablo's "Far East sound", it was typified by the employment of minor chords which imparted a supposedly oriental feel to the music, and it soon spawned imitators such as Bobby Kalphat, Joe White, Glen Brown and the similarly named Pablo Black.

This Eastern feel was often further emphasized by the titles, as in the case of the first record by Pablo which really struck a chord with Jamaican record buyers - "Java", produced by another Chinese-Jamaican, Clive Chin, a friend since schooldays. Working at the family-owned Randy's studio, Chin not only produced further exceptional instrumentals from the frail-looking melodica/clavinet player, but also recorded a fine series of vocals with such as Dennis Brown, Junior Byles, Hubert Lee, Jimmy London, Carl Malcolm and the Lyrics, who included future roots hero Fred Locks in their line-up.
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